Something you may not know about me is that I went to film school. In fact, I went to what is widely accepted as the #1 film school in the world… USC School of Cinema. I was a Film Production major. I say this not to brag (because it really hasn’t done me much good in my chosen career path) but to illustrate that it’s fair to assume i received the best education one could get on the topics of all things film. Well, i was recently introduced to a screenwriting book called Save The Cat by screenwriter Blake Snyder. I’m admittedly late on the uptake with this one, as the book was published in 2005. I hope you’ll accept my not having worked in the industry those past 6 years as my alibi here.
I feel like an old fogey saying these words, but…. “when i was your age…” we learned screenwriting from old men and old books, and we learned it as a seemingly scholastic exercise. Blake Snyder’s book turns the process on it’s ear and shows writers not how to write a script, but how to write a script THAT MIGHT HAVE A SNOWBALLS CHANCE IN HELL OF SELLING!!!Watch Full Movie Online Streaming Online and Download
What a novel concept… teaching new or struggling writers how to take their hobby (that’s what it is if it doesn’t pay your bills yet) and give it a chance of becoming their career. Save the Cat tosses out the taboo term “high concept” but replaces it with vehicles and techniques that really get you to the same thing… simple and sellable. Snyder focuses on crafting a perfect logline because the elevator pitch is just as important (if not more important) as the script itself. In an industry and city where the writer may be a valet, and the producer might be the guy with the claim ticket, the 10 second pitch has unexpectedly changed more than a few lives.Movie Trainspotting (1996)
Most importantly, Snyder kinda makes the process easy for you. If you’re committed, have a semblance of an idea, and have Save the Cat, i think you’ve got a shot.